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The history of knitting has been shrouded in mystery, half-truths, and outright lies! Is this because there is so little material, either textiles or documentation, to enable that history to be fully written?
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To undertake polar expeditions, then as now, appropriate protection was needed against the elements, some of the most severe on earth.
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Author James Brown in History of Sanquhar (1891) describes Sanquhar gloves and stockings in the early nineteenth century as “being woven on wires in a peculiar manner,” which presumably means knitted on fine needles.
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I developed this pattern after close examination of the artifact “latrine” hat excavated at the Fortress of Louisbourg, Nova Scotia, Canada. Log in to reveal this subscriber-exclusive pattern.
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These instructions are based on the information in Barbara Foster’s Learn Needle Tatting, Step by Step (Paxton, Illinois: Handy Hands, 1998), which provides complete step-by-step needle-tatting instructions accompanied by plentiful photographs.
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This design is entirely worked in long-arm cross-stitch, the most common stitch found in the extant traditional embroideries of Iceland.
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In the Victorian era, it is not entirely surprising that thick paper, or card, was attempted as a ground material for hand embroidery—an important skill for every Victorian lady.
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Notre-Dame shines as an example of early Gothic structure with its massive flying buttresses that offset the weight of the tall walls.
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Olga Fedorova designed this Orenburg-style lace shawl in 1991. Her sister, Valentina, has been knitting the pattern from memory since then.