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This charming tam o’shanter from the January/February 2017 issue of PieceWork makes a special gift. The body is worked in a Fair Isle pattern, and the tam gets its distinctive shape when it is washed and blocked.

A merry assortment of embroidery stitches are used to cover the seams in crazy quilts. The only limits are a needleworker's imagination and materials on hand.

In the early twentieth century, staples, such as flour and livestock feed, were sold in cloth bags. As American families entered the 1930s, reusing these fabrics became more popular, and bags became more colorful.

Joan Sheridan shares her lifelong passion for textiles as a volunteer conservator at The Henry Ford Museum of American Innovation.

During World War I (1914–1918), knitters produced prodigious quantities of warm clothing and other items for servicemen and the wounded.

This embroidered dowry bag bridges the gap between the traditional and modern. The shape meets the demands of current trends, but the stitching pays tribute to the needlework of vintage dowry bags.

The origins of the simple, yet striking, bargello stitch remain clouded in mystery, but its popularity has spanned centuries.

A circular form of Spanish lace first appeared in sixteenth-century paintings, but this style of lace soon radiated out, and variations can be found far and wide.

During the mid-twentieth century, department stores capitalized on knitting’s soaring popularity with free instruction from knitting experts.

Andrea Wong’s miniature Portuguese stocking, from the January/February 2017 issue of PieceWork, is based on socks in the classic style of those from Serra D’Ossa, Portugal.